On writing characters
A great piece of writing advice I’ve heard (if not one of the greatest) is that you should always write what your characters would say, not what you want them to say.
It’s a concept that might sound confusing to new writers [the writer provides their characters with a voice], but creating a story based on what your characters would say/do, as opposed to what you want them to say/do, really just comes down to what you want to happen in the story, and what realistically would happen.
You might feel the need to have a character talk about their feelings, or openly trust the person standing in front of them.
It might be beneficial, the right thing to do — but this character has trust issues, and they don’t easily open up to people. Forcing them to do so anyway, [thus making them act/behave in a way that doesn’t correlate with their personality] can lead to inauthentic storytelling, and characters who continuously contradict themselves.
Keep in mind, life comes consequences! And your characters should face the consequences of their actions. You can’t protect them from all things evil, or from making mistakes. You shouldn’t strive towards creating perfect characters who can do no wrong.
Consequences are what drives your plot and character arcs forward, and your audience will look for characters they can sympathize and/or relate to. They’re not looking for characters who can do no wrong.
If you’re stuck, it’s not such a bad thing to let your characters run wild, either. There’s usually a whole world out there for you to explore, that you never would have discovered if it weren’t for your characters showing you the way. It sounds whacky, but your characters will know what to do. They know themselves better than you do.
So let your characters guide you through their lives! Even if it means changing direction, even if it means the story doing a whole 180 from what you initially had in mind. Your characters will know what to do.
And eventually, the more you write, the more you familiarize yourself with your characters, their goals, fears and beliefs, the easier it’s going to be to distinguish your wishes from your characters needs, and writing authentic characters will become second nature.
Also, you won’t always have control over what happens. Don’t force a story in there if it doesn’t go with the current narrative. Listen to your characters. Don’t make it an issue of “this is logical and that’s why you should do it.”
Would they do it. Would they say it. That’s what’s important. If you’re constantly trying to force your characters into doing the right thing or behaving a certain way, that’s how you end up with one dimensional characters.
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“It isn’t Narnia, you know,” sobbed Lucy. “It’s you. We shan’t meet
you there. And how can we live, never meeting you?“"But you shall meet me, dear one,” said Aslan.
.
Concept art by Justin Sweet // The Lion, the Witch and the Wardrobe illustration, Joey Chou // Prince Caspian illustration, Pauline Baynes // The Lion, the Witch and the Wardrobe cover art, HarperCollins 2007 // The Lion, the Witch and the Wardrobe illustration, Christian Birmingham // The Lion, the Witch, and the Wardrobe cover art, Pauline Baynes // Aslan’s Triumph cover art, Deborah Maze
“It isn’t Narnia, you know,” sobbed Lucy. “It’s you. We shan’t meet
you there. And how can we live, never meeting you?“"But you shall meet me, dear one,” said Aslan.
.
Concept art by Justin Sweet // The Lion, the Witch and the Wardrobe illustration, Joey Chou // Prince Caspian illustration, Pauline Baynes // The Lion, the Witch and the Wardrobe cover art, HarperCollins 2007 // The Lion, the Witch and the Wardrobe illustration, Christian Birmingham // The Lion, the Witch, and the Wardrobe cover art, Pauline Baynes // Aslan’s Triumph cover art, Deborah Maze
“A lot of you cis women are gonna be very upset when trans women are able to carry children due to a uterus transplant.”
The girlies are having none of it 😁
and what makes them think a uterus will magically know how to work in a male body?
males evolved without uteri for thousands of years, but somehow the male body will be implanted with a foreign organ and magically know how to gestate, what hormones to control the gestation with, and be able to grow the zygote into a fetus? sure Jan.
Insanity. This is what happens when delusions go too far and we don’t educate people about how basic anatomy and reproduction work.
“A lot of you cis women are gonna be very upset when trans women are able to carry children due to a uterus transplant.”
The girlies are having none of it 😁
Art Inspirations/Art Goals
Manga: Riyoko Ikeda, Takemiya Keiko, Junichi Nakahara, Sakamoto Shinichi
Art Nouveau: Alphonse Mucha, Nell Brinkley
Art Deco: George Barbier
Watercolor illustrations: Kate Greenaway, H. Willebeek le Mair
Contemporary: Stephen Mackey
Other(s):
Tumblr: @shouty-y and @gloomystarrwitch
This place is a message and part of a system of messages: pay attention to it!
Sending this message was important to us. We considered ourselves to be a powerful culture.
This place is not a place of honor.
No highly esteemed deed is commemorated here.
Nothing of value is here.
What is here was dangerous and repulsive to us. This message is a warning about danger.
The danger is in a particular location. It increases towards a center. The center of danger is here of a particular size and shape, and below us.
The danger is still present in your time, as it was in ours.
The danger is to the body, and it can kill.
The form of the danger is an emanation of energy.
The danger is unleashed only if you substantially disturb this place physically. This place is best shunned and left uninhabited.
Twitturds beware